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        <title> - Duke Sharp - Garage Band Theory</title>
        <link>http://dukesharp.com/news.html</link>
        <description>Duke Sharp: Garage Band Theory</description>
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            <title>Garage Band Theory</title>
            <link>http://dukesharp.com/news.html#1</link>
            <description><![CDATA[I've been playing music for income and pleasure for about 30 years with Bozeman-based bands and have recorded with many local artists. My main instrument is guitar, but I&#8217;ve been hired for sessions and gigs on several instruments. Tunes from my CDs are currently getting a bit of play on several Montana radio stations, as well as other areas, and  MTV used a cut from my first solo project (Yucca Pie, The Surfin Flamenco Cowboy Blues) on a show in 2003.<br /><br />I started teaching guitar in 2000, and not long after that I began working on a book called Garage Band Theory. <br /><br />Here is one review:<br /><br />In &#8220;Garage Band Theory&#8221; Duke Sharp has delivered to us the anti-textbook. Apparently inspired less by the tired approaches of endless theory books on the local music store rack, than by, say, Dave Barry&#8217;s delightful drollery, GBT reads at moments like a coffee shop conversation twixt rock band sidemen at a restaurant after a questionable gig, complete with puns both good and bad, musician &#8221;&#732;inside humor&#8217; and self-demeaning  laments.  <br /><br />The genius within the madness is that after finally acquiescing to the har-har humor, the reader will find himself actually learning a lot about music along the way. More to the point, learning how band-stand musicians THINK about music. <br /><br />There has forever been a gap between the way music theorist negotiate their topic and what a pianist is thinking about when he glances at an upcoming C#7#11. (The truth is, he may still be thinking about the joke he heard last break.) The gap between traditional theorists and the musicians who play mostly &#8220;by ear&#8221; is even wider. GBT comes very close to bridging those gaps.<br /><br />Mr. Sharp has taken a shot across the bow of academia (this isn&#8217;t how I was taught theory!) and delivered to us a quite accurate and unconventionally authoritative romp through the slightly circuitous logic of a guy making a hundred bucks on a stage somewhere tonight. <br /><br />Funneling in most effectively on guitarists, other instrumentalists need not fret. (Sorry. It&#8217;s contagious.) The book also reads well to other fretted stringites, with a plethora of TAB and notation layouts for banjologists and mandolinonians. Truthfully any humor-deprived soul interested in how pitches relates to another might be advised to take the GBT plunge, if only to research just how absolutely twisted we habitual pickers are.<br /> <br />With dozens of relevant music examples ranging from the pen of King Henry the Eighth to recent pop, a few thematic threads are recognizable throughout the book, two being: &#8220;Experiment. A lot.&#8221; And, &#8220;You can learn this stuff! If I can do this you CERTAINLY can do this!&#8221;<br /><br />I recommend this superficially light but painstakingly complete and well-crafted book to anyone who enjoys pondering, for example, one of its many included quotes: &#8220;I know canned music makes chickens lay more eggs and makes factory workers produce more. But how much more can they get out of you on an elevator?&#8221; (Victor Borge.)  <br /><br /><br />         Craig Hall]]></description>
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            <source url="http://dukesharp.com/news.html"> - Duke Sharp - Garage Band Theory</source>
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